The Ransom of Red Chief is written by O.Henry. And here follows the text~
Text
Ebenezer Dorset, Esq.:
Two Desperate Men.
I addressed this letter to Dorset, and put it in my pocket. As I was about to start, the kid comes up to me and says: “Aw, Snake-eye, you said I could play the Black Scout while you was gone.” “Play it, of course,” says I. “Mr. Bill will play with you. What kind of a game is it?” “I’m the Black Scout,” says Red Chief, “and I have to ride to the stockade to warn the settlers that the Indians are coming. I’m tired of playing Indian myself. I want to be the Black Scout.” “All right,” says I. “It sounds harmless to me. I guess Mr. Bill will help you foil the pesky savages.” “What am I to do?” asks Bill, looking at the kid suspiciously “You are the hoss,” says Black Scout. “Get down on your hands and knees. How can I ride to the stockade without a hoss?” “You’d better keep him interested,” said I, “till we get the scheme going. Loosen up.” Bill gets down on his all fours, and a look comes in his eye like a rabbit’s when you catch it in a trap. “How far is it to the stockade, kid?” he asks, in a husky manner of voice. “Ninety miles,” says the Black Scout. “And you have to hump yourself to get there on time. Whoa, now!” The Black Scout jumps on Bill’s back and digs his heels in his side. “For Heaven’s sake,” says Bill, “hurry back, Sam, as soon as you can. I wish we hadn’t made the ransom more than a thousand. Say, you quit kicking me or I’ll get up and warm you good.” I walked over to Poplar Cove and sat around the postoffice and store, talking with the chawbacons that came in to trade. One whiskerando says that he hears Summit is all upset on account of Elder Ebenezer Dorset’s boy havingbeen lost or stolen. That was all I wanted to know. I boughtsome smoking tobacco, referred casually to the price of black-eyed peas, posted my letter surreptitiously and came away. The postmaster said the mail-carrier would come by in an hour to take the mail on to Summit. When I got back to the cave Bill and the boy were not to be found. I explored the vicinity of the cave, and risked a yodel or two, but there was no response. So I lighted my pipe and sat down on a mossy bank to await developments. In about half an hour I heard the bushes rustle, and Bill wabbled out into the little glade in front of the cave. Behind him was the kid, stepping softly like a scout, with a broad grin on his face. Bill stopped, took off his hat and wiped his face with a red handkerchief. The kid stopped about eight feet behind him. “Sam,” says Bill, “I suppose you’ll think I’m a renegade, but I couldn’t help it. I’m a grown person with masculine proclivities and habits of self-defense, but there is a time when all systems of egotism and predominance fail. The boy is gone. I have sent him home. All is off. There was martyrs in old times,” goes on Bill, “that suffered death rather than give up the particular graft they enjoyed. None of ’em ever was subjugated to such supernatural tortures as I have been. I tried to be faithful to our articles of depredation; but there came a limit.” “What’s the trouble, Bill?” I asks him. “I was rode,” says Bill, “the ninety miles to the stockade, not barring an inch. Then, when the settlers was rescued, I was given oats. Sand ain’t a palatable substitute. And then, for an hour I had to try to explain to him why there was nothin’ in holes, how a road can run both ways and what makes the grass green. I tell you, Sam, a human can only stand so much. I takes him by the neck of his clothes and drags him down the mountain. On the way he kicks my legs black-and-blue from the knees down; and I’ve got to have two or three bites on my thumb and hand cauterized.
“But he’s gone”—continues Bill—“gone home. I showed him the
road to Summit and kicked him about eight feet nearer there at one kick. I’m
sorry we lose the ransom; but it was either that or Bill Driscoll to the
madhouse.” Bill is puffing and blowing, but there is a look of ineffable peace
and growing content on his rose-pink features. “Bill,” says I, “there isn’t any
heart disease in your family, is there?” “No,” says Bill, “nothing chronic
except malaria and accidents. Why?” “Then you might turn around,” says I, “and
have a look behind you.” Bill turns and sees the boy, and loses his complexion
and sits down plump on the ground and begins to pluck aimlessly at grass and
little sticks. For an hour I was afraid for his mind. And then I told him that
my scheme was to put the whole job through immediately and that we would get
the ransom and be off with it by midnight if old Dorset fell in with our proposition.
So Bill braced up enough to give the kid a weak sort of a smile and a promise
to play the Russian in a Japanese war with him as soon as he felt a little
better. I had a scheme for collecting that ransom without danger of being
caught by counterplots that ought to commend itself to professional kidnappers.
The tree under which the answer was to be left—and the money later on—was close
to the road fence with big, bare fields on all sides. If a gang of constables
should be watching for any one to come for the note they could see him a long
way off crossing the fields or in the road. But no, sirree! At half-past eight
I was up in that
Very respectfully,
Ebenezer Dorset.
“Great pirates of Penzance!” says I; “of all the impudent—” But
I glanced at Bill, and hesitated. He had the most
Analysis
From the very beginning, the story invokes delusion and
irony, as the setting is a flat town whose name is “Summit” (evoking mountain
peaks). The crooks at the story’s center condescend to the townspeople,
assuming that they are backwards and incapable of thwarting the kidnapping
scheme—reasoning that proves just as delusional as the town’s name.
Furthermore, Sam’s use of the word “philoprogenitiveness” (meaning the love of
one’s children) shows his silliness and pretentiousness. Sam wants to appear
serious and intelligent, but he just comes across as ridiculous. The logic of
the kidnapping at first seems rational. For maximum impact, it seems effective
to take the only child of a rich and important local citizen. However, the plan
immediately goes awry when Johnny is not the well-mannered upper-class child
they anticipated. The first aspect of their plan (bribing him with candy)
immediately earns them physical violence, which is what they deserve for their
abhorrent actions, but it is also a surprising act of violence from someone who
was meant to be their victim. This shows that their plan cannot account for the
complexity of reality, and that the locals are unpredictable. When Johnny hits
Bill with the brick, Bill isn’t violent to Johnny in turn—instead, he grouses
about how the trouble will cost his father extra money (a threat he doesn’t
even follow up on). This begins to suggest Bill’s patience, even under duress.
Furthermore, the description of Johnny struggling like a “welter-weight
cinnamon bear” cues readers to see the kidnapping as comical and bungled,
rather than sinister and frightening. Neither the kidnappers nor the kidnapped
seems particularly frightened or cruel.
Instead of being afraid, upset, or even sullen, kidnapped
Johnny seems to be having a wonderful time. This is another example of the
townspeople not behaving as Bill and Sam anticipated. Furthermore, Bill’s
patience is on display again here. Johnny clearly injured him, but Bill’s generous
explanation is that they are role playing. Not only does this show that
incorporating Bill into his fantasy life has given Johnny real power over this
man, but it also literally reverses the terms of the kidnapping, foreshadowing
further reversals to come. These purportedly dangerous criminals and kidnappers
have taken on the role of camp counselors or even surrogate parents, which
shows the extent to which this kidnapping is off the rails. Furthermore,
Johnny’s soliloquy is funny and touching, softening Johnny’s previous violence.
Clearly, Johnny is simply a young boy who is naïve but curious about the world
and is starved for somebody to listen to him. This passage, particularly the
moment in which Johnny begs not to go home, hints that his home life is so
troubled that he would rather be kidnapped and living in a rustic cave than at
home with his rich but cruel father, which intensifies the reader’s sympathy
for Johnny’s plight and contextualizes his prior violent behavior. Bill and Sam
making Johnny sleep between them is an ambiguous gesture: while it seems
restrictive at first, they claim that they are not afraid he would escape, so
this seems to have an aspect of protective tenderness, as well. In any case,
Johnny's refusal to be tamed continues with fantasy play late into the night,
leading Sam to have a bad dream about a red-headed pirate, which is clearly a
stand-in for the red-headed Johnny who has already gained tremendous power over
his captors in real life. When Bill awakens to being scalped in the morning,
Sam describes Bill’s screams as unmanly, thus reserving his harshest criticism
for his friend, rather than his young attacker. As Johnny’s primary playmate,
Bill has taken the brunt of his abuse while Sam has been the executive of their
ransom enterprise. Now, with dawn of the first day following the kidnapping,
Sam is also a bit nervous about what Johnny might do to him in his sleep, and
Bill jumps at the chance to call Sam out when he shows he is not immune to
Johnny’s terrors. In this way, the two continue to bicker, rather than focusing
on the job at hand, which makes it difficult to address the unexpected question
of who in their right mind would pay for the return of such a terrible child?
Sam asserts (without any personal knowledge of course) that parents dote on
rowdy kids. He has not yet grasped the depth of their problems, as he goes off
to try to familiarize himself with the unfamiliar area.
Sam's expectation that he would see peasants with pitchforks
looking for Johnny contrasts with the reality: nobody seems to care. This is an
indication that Sam does not understand the locals as well as he believes he
does, casting doubt on the efficacy of their plan. Back in the cave, Bill asks
if Sam has a gun. No further mention of a weapon occurs in the story and the
fact that weapons have been absent from the story is important: bumbling
ineffectiveness is key to maintaining the reader’s sympathy for these crooks
since being unarmed signals that they aren’t a threat and gives evidence for
how poorly prepared for mayhem these criminals truly are. The idea that Johnny
is Bill and Sam’s captive continues to erode as they realize they are the ones
who need an exit plan, not Johnny. It's telling that Sam is uttering a sentence
about the ransom letter, the key to their plans, just when Johnny knocks Bill
over the fire with a slingshot in the style of little David overcoming the
giant Goliath. The implication is clear that the tables have turned, and their
plans continue to be eclipsed by Johnny's agenda. Since King Herod gave up
Jesus for execution in the Bible, Bill’s tongue-in-cheek comment underscores a
struggle for authority in the story: Bill is suggesting that Johnny, a child
who is being treated as special, really is dangerous and needs to be punished,
an understandable perspective for one just clobbered with a rock. On the other
hand, Johnny promises to behave, and in doing so, makes clear he is not a rebel
but a member of their crew who didn't mean to hurt "Old Hank." Sam
then encourages Johnny to apologize directly to his partner, calling him
"Mr. Bill" as a term of respect, as one might refer to a teacher.
Bill and Sam may be newcomers to Summit, but Johnny shows his allegiance to
them by apologizing. Being part of their crew is important to him, and he
doesn't want to go home. It becomes clear that Bill and Sam are in over their
heads with the ransom scheme, as they have yet to agree upon—let alone issue—a
demand. Sam calls the prospective ransom letter “peremptory” (demanding
attention or obedience), which will turn out to be another case of wishful
thinking, since the matter of payment is anything but settled. Meanwhile, Bill
is not happy in his role as primary caretaker. The difficulties with Johnny
that lead to the discounting of the ransom are evident in the two colorful
words Bill uses to describe Johnny (“skyrocket” and a “wildcat”). Both are not
so much insults as grudgingly respectful of Johnny’s energy and power,
important factors here foreshadowing the ultimate reversal of fortunes.
Although Bill and Sam’s letter to Ebenezer conveys a reduced
ransom demand, it still illuminates their lack of situational awareness. For
instance, it claims that it is useless for “skillful detectives to attempt to
find him,” yet Sam has already observed that no one is looking for him. His
elaborate investigation of the roads, crossings, wheat fields, and large trees
doesn’t make him a native of the area, just more deluded in thinking he is in
control when dealing with Old Dorset. The threat “you’ll never see your boy
again” rings hollowest: these men clearly would never hurt Johnny, and it's not
even clear that Johnny is missed. The assertion that "these terms are
final" is simply untrue, as well, and signing off as "desperate
men" is ironic, since it's not their aggression but their weakness that is
making them desperate. This is amply illustrated when Johnny, tired of playing
Indian, calls for a game of Black Scout, a move that will prove particularly
ominous and painful for Bill. Sam says the Black Scout game “sounds harmless”
when clearly this is the most humiliating and potentially damaging game Bill
has yet suffered. If Sam seems to be the more deluded of the two, Bill is the
primary care-giver to Johnny, and the most abused. Yet Bill’s patience is again
in evidence: after being kicked repeatedly as a play horse, he merely threatens
to “warm you good” and continues the game. This is the kind of moment that
builds sympathy for Bill, but there might be a limit reached for the reader: at
what point does a person, particularly a grown man dealing with a child, just
seem idiotic rather than sympathetic for putting up with abuse? In the first
indication that things are actually going as planned for a change, Sam
discovers that the local people have at least noticed and are concerned about
Johnny’s absence, so some increased confidence in the plan is warranted. Sam's
pride is contrasted by Bill’s situation as Johnny's "horse," however,
which he finds untenable and humiliating. Sam’s inability to anticipate the seriousness
of Bill's growing objections to their criminal endeavor could now be a big
issue for their plan.
Abused by Johnny, ridden like a horse, bitten, kicked
black-and-blue, and forced to eat sand as if it were oats, Bill finally has
snapped and, he believes, sent Johnny home because he can no longer tolerate
“supernatural tortures.” Pathetically, he describes in detail his reasons for
sending this young boy home—something that did not, in fact, happen. So far,
Bill has been more aware of the acute reality of their challenges with Johnny
than Sam has been, but here he takes a turn towards fantasy, believing that
Johnny is gone when the boy is, in fact, right behind him. When Sam tells Bill
to turn around to see Johnny is still there with them, it causes Bill to flop down
on the ground and pluck at grass and sticks. This slapstick moment has
significance in that usually Sam is deluded while Bill sees their situation all
too clearly, but here Sam is literally telling Bill to open his eyes and look
at what’s in front of him. The result of pulling the wool from his eyes is
shock, apparently, and a full hour of withdrawal from the world. When he comes
around, Sam is once again the deluded one, insisting that the scheme will go
forward. Sam believes things are going well because he has sent a threatening
letter and is receiving a reply. However, despite his assertion that his
behavior resembles that of professional kidnappers, Sam actually seems to be
participating in fantasy play similar to Johnny’s—after all, he is climbing trees
and playing hide and seek with a “half-grown boy” who brings the response from
Ebenezer. The "crabbed hand" with which the letter of response is
written shows the age of the respondent, which might indicate that Ebenezer is
weak—the substance of the letter will upend that implication. In his letter of
response, Ebenezer turns the tables and suggests that it’s Bill and Sam who
should pay to end this debacle, not he. This reversal is a climax of the plot,
establishing Ebenezer as the dominant actor, credibly threatening them in order
to get what he wants. Amusingly, it is somewhat unclear if the neighbors would
be angry with Sam and Bill for taking Johnny or for bringing him back. In any
case, his signature (“very respectfully”) is the sort of business-like
formality that is a recognizable feature of otherwise cut-throat business
communications.
Sam's reaction to Ebenezer's letter is shock, of course,
since to this point he has deluded himself that the kidnapping has a chance of
succeeding. Sam and Bill's inability to make good on their threats to hurt
Johnny is key to their coming acquiescence to Ebenezer's powerful response. In
complying with Johnny's father's demands, they see the only way out of an
improbably difficult situation—namely, that they haven't the heart to hurt
anyone, and they are terrified of both Johnny and his father. In fact, Johnny's
father is such a strong figure in their minds that they use a lie about him
buying Johnny a silver rifle and moccasins for a bear-hunting trip as bait to
lure Johnny home. It's heartbreaking, highlighting as it does how sad and
disappointing the child’s life has been with his father. In the final action,
Johnny clings to Bill, rather than to his father, and the father restrains his
son while Bill and Sam make their getaway. It’s a denouement that is both
strangely sad and funny, illustrating that Johnny's home is no home, and that
the strangers who came to town without a clue are leaving it considerably more
knowledgeable about who runs things.
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